SICK
“Nine out of ten sins are born of the tongue.”


film by Aitore Zholdaskali
Produced: Tartaria films
Opening Statement
“At the heart of SICK lies a provocative exploration of human greed, moral decay, and the devastating consequences of lies. Through the lens of a desperate couple’s morally corrupt scheme, this film delves into the darkest corners of human nature while exposing the fragility of our shared empathy in the face of betrayal.

A gripping psychological thriller with an unflinching narrative, SICK forces audiences to confront their own boundaries of morality. It is a story not only about lies but also about the ripple effects of dishonesty, greed, and the loss of humanity. Raw, unapologetic, and deeply impactful, SICK serves as a mirror to society’s obsession with appearance, validation, and the cost of living a lie.”
Logline
Logline: A struggling couple’s elaborate con spirals into a web of violence and betrayal when their fake cancer scheme leads them down a path of moral destruction.
Official Sick movie teaser
MOVIE STILLS
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Key Themes
The Power of Love: The film questions the idea of love as something pure, showing how the characters’ love for each other leads them to make extreme, morally questionable choices. It challenges the audience to ask if their love really justifies their actions.

Moral Ambiguity: The story delves into how desperation blurs the line between right and wrong, challenging viewers to ask themselves what they might do in similar circumstances.

The Cost of Lies: The film examines how even the smallest deception can spiral into catastrophic consequences, unraveling lives in its wake.

Our team
we are young filmmakers and producers from Central Asia, Kazakhstan.
  • Aitore Zholdaskali
    Director & Producer
    Aitore Zholdaskali is an emerging filmmaker from Kazakhstan whose work has already garnered international recognition for its bold storytelling and unique voice.

    His debut series, Sheker, won the Best Web Drama Award at the prestigious Asia Content Awards in Busan and was shortlisted at Canneseries, marking him as a rising talent in global television.

    Filmography
    Sheker (Seasons 1 & 2) – 2020–2022
    Award-winning series that captivated audiences with its raw storytelling and cultural resonance.
    Octagon (Season 1) – 2023
    A gripping drama that further solidified his reputation as a fearless storyteller.
    Shulamah (Feature Film) – 2024
    A thought-provoking film that explored profound social and personal themes.
    SICK (Feature Film) – 2025
    His most ambitious project yet, blending psychological depth with a compelling, universal narrative.
  • Kuanysh Beisek
    Producer
    Kuanysh Beisek is a prominent filmmaker and producer of the younger generation, recognized for his exceptional contributions to Kazakh cinema.

    His debut feature, "Dastur", became the highest-grossing film in the history of Kazakhstan’s box office, setting a new benchmark for the country’s cinematic success.

    As the founder of Tartaria Films, Kuanysh has established himself as a visionary leader in the industry, championing bold, innovative storytelling and paving the way for the next generation of filmmakers.
  • Aldiyar Zhaparkhan
    Writher
    Filmography
    Dastur (Feature Film) - 2024
    Aldiyar Zhaparkhan is the screenwriter of the record-breaking Kazakh film Dastur. He is also the writer and creative mastermind behind the concept of SICK, showcasing his talent for crafting bold, thought-provoking stories.
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  • Kazbek Orazbek
    Writher
    Like Aldiyar, Kazbek Orazbek is a talented screenwriter for both Dastur and SICK. His collaborative work reflects a dedication to creating impactful narratives that resonate deeply with audiences.
  • Bagdat Arginov
    Dop
    Bagdat Arginov is a cinematographer with an extensive and impressive filmography. He made his debut alongside Aitore Zholdaskali in the acclaimed series Sheker. Together, they are recognized as a dynamic duo, creating visually stunning and profoundly engaging works that captivate audiences.

    Filmography
    Sheker (Seasons 1 & 2) – 2020–2021
    5:32 (TV Series) – 2021
    Serzhan Bratan (TV Series) – 2021
    KASH (Feature Film) – 2022
    Locked Up (Feature Film) – 2023
    Kazakh Business in Brazil (Feature Film) – 2023
    Scammers (TV Series) – 2023
    1286 (TV Series) – 2023
    Octagon (Season 1) – 2023
    SICK (Feature Film) – 2025

    Bagdat’s ability to craft breathtaking visuals and elevate storytelling through his lens cements his status as one of the most exciting cinematographers of his generation.
SYNOPSYS
Azamat and Tansholpan are an ordinary young couple, living paycheck to paycheck, struggling to make ends meet. Their married life started in debt after taking out a large loan for their wedding, which barely covered half of the costs. Azamat spends nearly all of his time driving a taxi, which he leased on credit, while Tansholpan works as a waitress to help pay for their rented apartment and cover the numerous small debts they've accumulated in their attempt to "live like everyone else." From morning to night, they are bombarded by calls from banks demanding overdue payments and by friends and relatives, to whom they’ve borrowed multiple times.

One day, a series of unfortunate events sets their life even further off track. Azamat, arguing with a difficult client, crashes into a tree. Meanwhile, Tansholpan, overwhelmed by severe morning sickness due to her pregnancy, suddenly vomits in front of a customer. Exhausted and disheartened, they return home, where they’re confronted by their friend Damir, who is fed up with Azamat’s failure to pay him back. With nowhere else to turn, Damir gives Azamat one last warning. Humiliated and desperate, Azamat steps outside to smoke but realizes he can't even afford a cigarette. In a moment of complete despair, he goes to a store and begs the clerk to give him cigarettes on credit. She refuses, pointing instead to a charity donation box, where he grabs it in a moment of impulse and runs out of the store.

Returning home with groceries, his mood is lifted until a he sees mother in front of his apartment. She’s furious over the unpaid loans he took out in her name for the wedding. Feeling cornered, Azamat sees the sticker and, on impulse, lies to her, saying Tansholpan is gravely ill and all their money is going to her treatment. Shocked, his mother immediately forgives him and sends additional funds, wishing Tansholpan a speedy recovery. Relatives follow suit, sending money to help, and this sparks a "brilliant" idea in Azamat’s mind: why not start a fundraising campaign for Tansholpan’s “treatment” to pay off all their debts?

After much persuasion, Tansholpan reluctantly agrees to pretend to be sick, but only on the condition that they will settle their debts and stop there. Azamat shaves her head to make the act more convincing, and he does the same to gain sympathy from the public. To avoid suspicion, they turn to their friend Damir, who works in an oncology center, and bribe him to forge medical tests. Soon, they create a fundraising page, post a heart-wrenching video, and it all results in large donations pouring in. They get addicted to the easy money and begin fantasizing about living a luxurious life.

Their popularity soars, with everyone admiring their seemingly perfect love story. The public especially falls in love with Azamat, the devoted husband who stood by his wife in her time of need. The adoration gets to Azamat’s head, and he decides to organize a grand charity gala, with auctioned items benefiting Tansholpan’s "treatment." After raising a substantial amount at the event, Damir approaches them and demands a larger payout, given their newfound wealth. Azamat, still bitter from his earlier humiliation, refuses.
Why Neon?
NEON is synonymous with bold storytelling and fearless artistry. Your commitment to pushing boundaries aligns perfectly with the vision of this project. With NEON, it’s not just about distributing a film—it’s about creating cultural moments. Your track record of elevating unconventional voices and championing daring narratives makes you the ideal partner to bring this story to life. Together, we can craft a cinematic experience that challenges, inspires, and leaves an indelible mark.
Audience & Market Fit
SICK is a film designed to resonate with a wide spectrum of audiences, from cinephiles who seek bold, uncompromising storytelling to mainstream viewers drawn to emotionally charged narratives and gripping thrillers.

Target Audience
Age Range: 18–45 years old.
Primary Demographics:
• Fans of socially relevant, character-driven dramas.
• Viewers of psychological thrillers with moral complexity (Nightcrawler, Parasite).
• Followers of films from A24’s portfolio (Uncut Gems, The Killing of a Sacred Deer).
• Social media users captivated by viral, human-interest stories.

Secondary Demographics:
• Festival audiences and critics looking for fresh, daring cinema.
• International viewers who value universal themes of greed, guilt, and redemption.
Global Relevance
The themes of SICK - the power of lies, the corrupting force of greed, and the duality of human nature - are universal. These ideas transcend cultural barriers, making the film equally compelling to audiences across North America, Europe, and Asia, while offering a unique lens from Central Asia that’s rarely explored in mainstream cinema.

Marketability
Social Issues: The film taps into ongoing conversations about social media ethics, fraud, and exploitation, making it highly relevant in today’s digital age.
Award Season Appeal: With its provocative storyline and intense performances, SICK is positioned to gain critical acclaim and awards buzz, particularly in screenplay, direction, and acting categories.
Festival Circuit: Ideal for major international festivals like Cannes, Venice, and Sundance, where boundary-pushing cinema is celebrated.
Streaming Potential: Its dark, gripping tone and timely themes make it a strong contender for platforms like Netflix, Hulu, or Prime Video, where audiences seek thought-provoking, binge-worthy content.

Comparative Titles
Parasite (Bong Joon-ho): A film that masterfully blends social commentary with thrilling suspense.
Nightcrawler (Dan Gilroy): A gritty, character-driven exploration of ambition and moral decay.
The Farewell (Lulu Wang): A personal story with universal emotional resonance, set within a specific cultural context.

SICK is not just a film - it’s an experience that provokes thought, sparks conversation, and challenges perceptions. It’s a story that audiences will remember long after the credits roll, making it a perfect fit for today’s discerning, socially conscious market.
Final word
Sick is not just a film; it’s a statement. It’s a raw exploration of human nature, deception, and the lengths we go to in order to survive. The story pushes boundaries, blending dark humor and heartbreaking reality into an unforgettable experience.

With the visionary talent of the team behind this film, we believe Sick can become a defining piece of cinema — one that resonates with audiences worldwide, leaving a lasting impact.

Partnering with A24 will allow us to amplify this vision, and together, we can bring this film to the global stage. A24’s commitment to bold, innovative storytelling is the perfect home for a project like Sick. We are excited about the opportunity to work together and share this compelling journey with the world.”
Made on
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